Eponymous
http://www.skinnymf.com/~mforde/blog/index.pl
My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owneren1702672835
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http://www.skinnymf.com/~mforde/blog/index.pl/2022/10/07#20221007
I'm looking California and feeling Minnesota
Fireside Chat
http://www.skinnymf.com/~mforde/blog/index.pl/2021/12/29#fireside
Tonight I signed up for the Fireside beta. They asked for all my social
media accounts to prove I'm a human. The problem is, I don't have a
twitter account, a facebook account, instagram, etc. Years ago I took
the advice of numerous psychology studies and my own therapist's advice
and got off the social media platforms. It was one of the best things
I've ever done for my mental health.
So hopefully this blog, though infrequently updated (and slightly broken
since the last major perl update), will serve as proof to the people at
Fireside that I am human and not a bot.
It was the Astonishing
Legends Podcast that led me to Fireside. It would be nice to use it
for one of their interactive live chats sometime.
Bill Gates is Satan's Minion
http://www.skinnymf.com/~mforde/blog/index.pl/2020/05/07#satan
Bill Gates was Satan's minion, is Satan's minion, and always will be
Satan's minion.
Tenth Runniversary
http://www.skinnymf.com/~mforde/blog/index.pl/2018/03/13#runniversary10
Today is my tenth runniversary. It's been a decade since I first stepped
on that treadmill. Like my first day running, I ran on
the treadmill while listening to br\oken.
I've had some set backs in my recovery. Not properly rehabilitating the
atrophy in the left leg has caused some problems with the muscles around
my hip. Listening to my trainer only made it worse.
But now I'm taking care of it properly.
Like that first day ten years ago, I have a goal I am working toward.
This time it is the Dublin Marathon in October. This will be marathon
number 13. I don't expect to PR. I think 10 minute miles are a much more
reasonable goal at this point, but frankly I'll be happy just to cross
that finish line.
It's been a long, hard road out of Hell, but God has been by my side and
put some amazing people in my life to help me along the way.
I have to thank the Giraffes for today. I have to thank the Giraffes for
much of my life this last decade. I was heading for an early grave, and
they changed that. Giraffes, I thank you from the bottom of my heart and
I look forward to running the LTC and many other races with you in the
next decade.
Take back your privacy
http://www.skinnymf.com/~mforde/blog/index.pl/2018/03/12#takebackyourprivacy
Recent surveys have found that 76% of [the most visited] websites in the
world cotain trackers from google and 24% contain trackers from
facebook. This has been reported by CNBC,
PC
World, The
Verge, Fortune,
and Breitbart.
Almost anywhere you go on the internet, they are following you, building
a profile on you, and selling that information, your information,
to the highest bidder. Even if you don't have a user account for google
or facebook "services," they've built a profile of you using this
surreptitiously collected data.
It turns out there are some steps one can take to prevent these
companies from following you wherever you go. It's not perfect, but it
helps a lot. First, don't use Chrome. Second, install ad-blocker plugins
for your browser. Third, use your firewall.
It turns out Google and Facebook are large enough that they have their
own Autonomous Systems (AS) composed of numerous subnets. Google owns AS
15169, while Facebook owns AS 32934. Using a little bit of shell, it's
relatively easy to look up all the subnets owned by these companies.
That's a lot of subnets. Because I have different operating systems on
different computers and still want to block traffic to and from
all those IP addresses, I've written some simple scripts to add
rules to various firewalls. I have scripts for IPFW on FreeBSD, IPTables on Linux, and the Windows Firewall that should work from XP SP3
through Windows 10. I've only tested it on Windows 7 and Windows 10, and
it worked in those.
All of these scripts can be found in this
directory. The IPFW and IPTables scripts are self-contained. For the
Windows command shell batch files, the *ips.txt files are also needed.
I have to say, the internet looks very different with these firewall
rules in place. There are noticeably fewer advertisements and pages load
faster. Embedded YouTube videos and Instagram photos don't appear.
Sometimes the frame disappears, sometimes you get a "failed to connect"
page appearing in a frame in the middle of a page. (Yes, these rules
block YouTube and Instagram; they are owned by google and facebook and
reside in the subnets owned by those companies.) On a relatively rare
occasion, I come across a site using some sort of javascript or css or
something hosted by a machine in one of those ASs and that will be
blocked. Sometimes the site handles that gracefully, sometimes it stops
being functional. A small price to take back your life.
Update: Twitter has trackers on a decent amount of sites out there too,
so I've added scripts to block Twitter's AS 13414 as well. Those scripts
are in the same directories as the others.
St Michael, defend us in battle
http://www.skinnymf.com/~mforde/blog/index.pl/2017/10/17#defendusinbattle
Crisis
Magazine has a great piece about St Michael and the ongoing
spiritual warfare in the world.
New PGP Key!
http://www.skinnymf.com/~mforde/blog/index.pl/2017/10/12#pgpkey
So apparently Evil32 happened.
Approximately 24,000 PGP keys were generated that had collisions with
the 32-bit short IDs of existing keys. Then someone decided to use those
conflicting keys to generate revocation certificates and upload them to
the keyservers. Joy.
Though my old keys still work, they were affected by this mass
revocation of collsions. I have created a new key which can be found at
http://skinnymf.com/~mforde/mforde.asc.
On a related note, if anyone is interested in Key Signing Party, shoot
me an email. I haven't been to one of those since college.
Time Travel?
http://www.skinnymf.com/~mforde/blog/index.pl/2017/09/30#oldtimey
A few months ago I happened to snap a photo of the DeLorean on Main
Street in Boonton near the Darress Theatre. It's probably one of my
favorite photographs of the car and certainly one of the best I've ever
taken.
The theatre was built in 1919 and has remained largely unchanged since
then. A lot of Boonton still has a very old "look and feel" to it, and
this section of Main Street served as a perfect backdrop for the
DeLorean.
How to Drive a Classic Rolls-Royce, or a DeLorean, Any Time You Want
http://www.skinnymf.com/~mforde/blog/index.pl/2017/08/24#howtodrive
Bloomberg has posted an article entitled
How to Drive a Classic Rolls-Royce, or a DeLorean, Any Time You
Want. It's really quite simple, actually. You take your keys, go
out the the garage, and you drive the DeLorean any time you want.
This ends tonight...
http://www.skinnymf.com/~mforde/blog/index.pl/2017/08/16#theend
Sometimes...
http://www.skinnymf.com/~mforde/blog/index.pl/2017/08/16#sometimes
Sometimes it's dificult to find a reason to continue.
Ninth Runniversary
http://www.skinnymf.com/~mforde/blog/index.pl/2017/03/14#runniversary9
Yesterday was my ninth runniversary. Like my first day running, I ran on
the treadmill while listening to Broken. Unlike the first time, I only
listened to it once, and covered 4.48 miles during the duration of the
EP, thanking God every step of the way.
I'm confident in knowing that the bone in my ankle has healed completely
now; however, I'm still rebuilding the muscle in that ankle and the rest
of that leg. There was significant atrophy during the early phases of
recovery. Slowly as it may be, I am making progress, and I am thankful
for that.
Merry Christmas
http://www.skinnymf.com/~mforde/blog/index.pl/2016/12/24#holidays_
While the holidays are supposed to be a joyous time, I know and
understand how hard they can be for some people. If you're having a
rough time over the next week or so and need someone to talk to, feel
free to message me. If you're reading this blog, you likely know my
email address or phone number.
Aisling at 35
http://www.skinnymf.com/~mforde/blog/index.pl/2016/10/28#aislingat35
She's still looking good at 35....
Happy Birthday Aisling!!!!
http://www.skinnymf.com/~mforde/blog/index.pl/2016/10/02#happybirthday
My DeLorean, #5333, was built in October of 1981. This month, the car
will be 35 years old and she looks and handles like the day she came off
the assembly line.
Don't Call it a Comeback
http://www.skinnymf.com/~mforde/blog/index.pl/2016/09/26#mamasaidknockyouout
On June fourth, I was running in the Tourne on a trail I first ran
twenty years ago, a trail I've run hundreds if not thousands of times
before. On that morning, my foot came down on a wet rock at just the
wrong angle, slipped just enough and I rolled my ankle. Not only did I
roll the joint, I came down on it with enough force to break it; a fact
I would learn when I final saw a doctor about it on June ninth.
No surgery was required, but I was unable to run for three months. I was
finally cleared to run. The plan was to start with short distances,
about a quarter mile, on a rubberized track then build up from there,
moving on to treadmills and eventually roads and trails. I was
instructed to spend six months rebuilding my 60 mile per week base.
On the morning of September 11 (a day I will never forget and a morning
that will always make me feel a bit uneasy), I took to the track for the
first time. I started by walking a mile. As I finished the fourth lap, I
said a prayer, asking God to give me the run I needed and the wisdom to
know when to stop. I queued up my playlist: AC\DC's "Back in Black" and
LL Cool J's "Mama Said Knock You Out." I took my first stride.
I've been progressing well in the last two weeks; pushing it on some
days, resting when necessary. Though the short, slow distances have been
frustrating, it feel good to be running again. Every stride I take I'm
reminded of everything I love about the sport.
It's good to be back.
Fun Conversations
http://www.skinnymf.com/~mforde/blog/index.pl/2016/09/18#insuranceagent
The DeLorean often leads to conversations one wouldn't normally expect.
Case in point: today I had to call my auto insurance provider for an
issue with my daily driver. After taking some info to pull up my account
the conversation went something like this:
Agent: Which car is this?
Me: The Pontiac.
Agent: Am I reading this right?
Me: Reading what?
Agent: I'm sorry, do you have a DeLorean?
Me: Yes.
Agent: I never thought I'd see someone with a policy on a DeLorean.
Me: Well, you've insured both of mine...
Agent: You've had two DeLoreans?
Me: Yes.
At that point there were a few more questions and then we got back to
the issue which my phone call had been about originally.
An Observation
http://www.skinnymf.com/~mforde/blog/index.pl/2016/08/24#observation
There is something satisfying about driving in a DeLorean while
listening to The Clash's Live: From Here to Eternity.
What Year is This?!
http://www.skinnymf.com/~mforde/blog/index.pl/2016/08/13#whatyearisthis
So this was my Saturday night....
He's Not Wrong...
http://www.skinnymf.com/~mforde/blog/index.pl/2016/08/09#hesnotwrong
Over at Net Meister there's a
nice peice entitled Things
They Don't Teach You in School". A lot of what Jan has to say is
spot-on observation and good advice.
It's definitely worth a read.
Trouble opening aterm in FreeBSD?
http://www.skinnymf.com/~mforde/blog/index.pl/2016/07/20#aterm
Here's a soltuion!
https://forums.freebsd.org/threads/44941/ X11 Mouse Cursor Themes
http://www.skinnymf.com/~mforde/blog/index.pl/2016/07/08#mousecursor
Starting after installimg the binary nvidia drivers on both my laptop
(Quadro K1100M) and my workstation (GeForce GT 630) Blackbox was
defaulting to a mouse cursor that was suboptimal, a black, notched
triangle.
The settings in the Xresources for the mouse cursor theme are honored by
XDM at the graphical log in, but when Blackbox or Fluxbox start, the
cursor would change to the black notched triangle. TWM honors the
settings in Xresources, but TWM is just a little too minimalist, even for
me.
But there's a simple fix!
Create a file in your home directory (if it doesn't already exist)
.icons/default/index.theme. In this file, add the following lines:
[Icon Theme]
Inherits = polarblue
where polarblue is the name of the X11 mouse cursor theme you wish to
use. FreeBSD installs many of the X11 cursor sets into
/usr/local/lib/X11/icons/, your Unix flavor may be different. In theory,
you can also install new themes of your choosing into ~/.icons/ and use
those without the need for any elevated privileges.
Additionally, there's the option of creating a .Xdefaults file in the
home directory and adding the line
Xcursor.theme: polarblue
Again, where polarblue is the name of theme you want to use.
FreeBSD Unix on Dell Precision M4800
http://www.skinnymf.com/~mforde/blog/index.pl/2016/06/18#m4800
I installed FreeBSD 10.3 on the laptop I recently acquired and
almost eveything worked out of the box. The gigabit ethernet and
wi-fi coards worked fine and by setting the BIOS to discrete graphics
only, the nVidia Quadro was recognized.
I installed the binary driver from nVidia, because they support FreeBSD
because they're awesome like that. The nvidia-xconfig(1) program was
useful to streamline the process of getting X.org to use the Quadro.
There were a few things that did need some tewaking though. First
there's the sound card. Because the quadro supports HDMI (in addition to
VGA and DisplayPort), it includes an HDA-compliant sound card. This card
is recognized before the primary HDA-compliant sound card in the
machine, the one that's actually connected to the speakers.
I did some research and there were some suggestions about using
sysctl(8) to control soundcard GPIO pins to connect the nVidia sound
device to the speackers but what ultimately worked was using sysctl(8)
to change the default primary sound device to the dedicated card. There
were a few ways to make this happen but the one I found that actually
worked was to place sysctl(8) command lines in /etc/rc.local.
Now when boot completes pcm2 is set to my default and sound "just
works" and sndstat shows pcm2 as the default.
I found ACPI support has some weirdness as ACPI support often does. What
I found was that Suspend works from console, but resume doesn't...
HOWEVER After I start X ACPI suspend and resume work just
fine. Normally I prefer to boot into a console and only start X if I
really need it, but because I want suspend and resume to work "by
default" I've enabled X to start at boot by allowing the xdm console in
/etc/ttys.
But this had one last issue. See, when manually starting X, I added the
-dpi 143 option to get graphics and text to be appropriately sized for
my screen. XDM needed to know about this.
This probably wasn't the best place to do it, but I edited
/usr/local/lib/X11/xdm/XServers and modified the call to X(7) to add the
-dpi 143 option. Now when Xdm loads at start up, the DPI is set
correctly.
The function keys for adjusting the screen brightness don't work;
however, xbacklight(1) works just fine. Similarly the volume keys don't
work but I can adjust the volume quite easily with aumix(1).
I've submitted my dmesg output to NYCBUG's
dmesgd repository.
I suppose I've posted this for two reasons. The first is so I have a
record of how I eventually got these little things working in case I
have to do it again. The second is in case anyone has similar issues
with their hardware; if they happen to stumble upon this, it might give
them some hints.
Megapath sucks
http://www.skinnymf.com/~mforde/blog/index.pl/2016/06/08#megapathsucks
Speakeasy was by far the best ISP I ever dealt with. Freindly, and above
all, knowledgeable. Since they have been purchased by
Megapath then merged into Global Capacity, their tech support has been,
frankly a bunch of idiots. Furthermore, their website routinely has
"Service failed" errors that prevent you from logging in, changing
passwords, and viewing account information.
Today, after being unable to log in to the website due to "service
failed" the tech support rep on the phoned didn't understand what a
subnet mask or gateway address were. Eventually I just got her to read
me "all three IP addresses" on the screen in front of her.
But at this point my only other option is Verizon. So I'm sticking with
Megapath.
Eponymous
Eponymous
About
My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information. [/politics]
permanent link
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech. [/musings]
permanent link
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
Eponymous
http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/2008/08/18/2012/2008/08/09/2010/2014/index.rss
My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean ownerenWriting
http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/2008/08/18/2012/2008/08/09/2010/2014/index.rss/2008/08/31#writing
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/2008/08/18/2012/2008/08/09/2010/2014/index.rss/2008/08/29#nin
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/2008/08/18/2012/2008/08/09/2010/2014/index.rss/2008/08/26#dnc2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
The DNC Hates Unix Users
http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/2008/08/18/2012/2008/08/09/2010/2014/index.rss/2008/08/25#dnc
Just confirming the Slashdot story
(http://news.slashdot.org/news/08/08/25/229210.shtml):
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/2008/08/18/2012/2008/08/09/2010/2014/index.rss/2008/08/18#freebsd7
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/2008/08/18/2012/2008/08/09/2010/2014/index.rss/2008/08/15#google3
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/2008/08/18/2012/2008/08/09/2010/2014/index.rss/2008/08/12#google2
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/2008/08/18/2012/2008/08/09/2010/2014/index.rss/2008/08/12#CubanPetes
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/2008/08/18/2012/2008/08/09/2010/2014/index.rss/2008/08/09#cvs
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
Another Demo Update
http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/2008/08/18/2012/2008/08/09/2010/2014/index.rss/2008/08/08#demo3
Two weeks! Ha! It's been closer to two months.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/2008/08/18/2012/2008/08/09/2010/2014/index.rss/2008/08/06#bloom
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
Eponymous
Eponymous
About
My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
Eponymous
http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/2008/08/18/2012/2008/08/08/2017/musings/index.rss
My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean ownerenWriting
http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/2008/08/18/2012/2008/08/08/2017/musings/index.rss/2008/08/31#writing
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/2008/08/18/2012/2008/08/08/2017/musings/index.rss/2008/08/29#nin
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/2008/08/18/2012/2008/08/08/2017/musings/index.rss/2008/08/26#dnc2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
The DNC Hates Unix Users
http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/2008/08/18/2012/2008/08/08/2017/musings/index.rss/2008/08/25#dnc
Just confirming the Slashdot story
(http://news.slashdot.org/news/08/08/25/229210.shtml):
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/2008/08/18/2012/2008/08/08/2017/musings/index.rss/2008/08/18#freebsd7
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/2008/08/18/2012/2008/08/08/2017/musings/index.rss/2008/08/15#google3
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/2008/08/18/2012/2008/08/08/2017/musings/index.rss/2008/08/12#google2
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/2008/08/18/2012/2008/08/08/2017/musings/index.rss/2008/08/12#CubanPetes
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/2008/08/18/2012/2008/08/08/2017/musings/index.rss/2008/08/09#cvs
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
Another Demo Update
http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/2008/08/18/2012/2008/08/08/2017/musings/index.rss/2008/08/08#demo3
Two weeks! Ha! It's been closer to two months.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/2008/08/18/2012/2008/08/08/2017/musings/index.rss/2008/08/06#bloom
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
Eponymous
Eponymous
About
My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.
"You need strong emotion, whether it's fiery or depressed, an extreme
state of mind. I think in any art form it's the case."
-- Daniel Ash
Maybe it's my lack of experience. Maybe it's my lack of talent.
I tried to sit down and write music for the song known as Ravage in the
new naming scheme, but I failed miserably. When I try to force it, like
I did tonight, nothing comes out right. I have ideas, I can hear them in
my head, but without that inspiration, without that emotion, nothing I
produce sounds right.
I've been too happy recently and it's destroyed my creativity. I get the
urge, I have the inspiration, to write when I feel negative emotions. I
need anger; I need depression. It is in dealing with these emotions that
I am able to write.
I have tried several times to force myself to feel this way. This
usually buys me a few minutes in which I can write, but it often fails.
Because the emotions are artificial, the results are mediocre at best.
I find this situation to be quite frustrating. I want to move forward
with this album, but without that inspiration I am unable to do
anything.
In the meantime, I'm slowly teaching myself to play guitar and, to a
much lesser extent, a keyboard-style synthesizer. I've also been going
through materials my music teacher friend gave me to learn some basic
music theory. Hopefully once I find that needed inspiration, or find a
way to work without being angry or depressed, this new knowledge will
make things easier.
NIN
On August 27th, I attended the Nine Inch Nails concert in East
Rutherford, NJ held at the arena. I think I enjoyed it.
I ordered a pair of tickets through nin.com during the presale. Tickets
went on sale at 5:00PM, I managed to get through by 5:05 and ended up
with two tickets for Section 121, Row 8, opting not to purchase floor
seats. I went with a friend with whom I've attended a number of
concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.
As per the terms of the nin.com presale, we had to pick up the tickets
at the venue. Because of this fact, and the massive amount of pointless
and unnecessary construction at the Meadowlands, we decided it would be
best to get there early.
My friend took the night off from work and I picked him up at his
apartment after I got out of work. We grabbed a quick meal at a nearby
Wendy's (which I'm still paying for...) and then headed over to the
arena.
We arrived around 5:30PM, about two hours before the show. We asked one
of the security staff if the box office was open because we had tickets
waiting at Will Call. He informed us that the box office opened several
hours prior and we could pick up our tickets.
We headed toward the box office and found a long line. We waited for a
few minutes and noticed that the line had not moved at all. Figuring
that a line for Will Call would be moving slightly faster than
not-at-all, I went to investigate while my friend saved our place in
line.
After a short walk I found another line marked by a sign reading
"NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near
the line if that was the line to pick up the tickets. He explained the
procedure to me.
I went and got my friend from the other line and explained to him what
the staff had just told me. He then waited outside while I walked into
the box office, passing event staff who asked if I was picking up the
presale tickets. Inside, another staff member indicated I could pick up
the tickets on line 13 or 14. I picked up the tickets, went back outside
and we got on line. The staff member who had explained the procedure to
me came over to us, checked our tickets, and gave us wrist bands.
A little while later, just before the gates were set to open, another
staff member came down the line checking people's tickets. He looked at
ours, cut off our wrist bands, and told us to skip the line and enter
the arena through the box office lobby. It seems people with lower
section tickets were let in while people with General Admission floor
tickets remained on the line.
Once inside the door, we waited on another line for about 30 seconds to
have our tickets scanned for entry into the arena. On the other side of
the turnstile, an escalator brought us up to the main floor. We walked
around realizing we came in almost directly opposite our section. We
stopped at one of the entry ways to have a look at the stage. The staff
member at the entry asked to see our tickets. We told him we were on the
other side but just wanted to take a quick look at the stage. He had no
problem with this. I asked him if he new what time the opening act would
be start and he replied, "7:30." I then asked if he knew what time Nine
Inch Nails would go on. He took a piece of paper from his pocket,
unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked
him and we moved on. We found our section and went down to our seats.
It turns out that row 8 is actually row 3. We were at the level of the
stage and about a hundred feet away. We were angled enough to have a
view of almost the entire stage (the lights on the stage right we facing
away from us).
After that we then decided to walk around for a while since we had quite
a while until the openers started.
I stopped and purchased an overpriced souvenir t-shirt at one of the
merchandise stands. I should have gotten it a size smaller than I did.
I'm still not used to not being overweight. We stopped at a concession
stand and payed way too much for water, then did a few more laps around
the arena. Finally we went back to our seats.
At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They
were pretty good. I enjoyed their music despite having heard only one
song prior to that evening. It was hard to hear their vocals because the
gain on the microphones seemed to be a lot lower than it should have
been, especially while they were playing. They thanked the crowd for not
booing. When the announced that their next song would be their last for
the evening, people cheered. The guitarist quickly replied, "Thank you
to all the people who cheered because they like us."
I was fairly impressed by their set and wish it had been a little bit
longer, maybe another song or two.
At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it
ended, 1,000,000 started. The continued with a few more songs from The
Slip. After Discipline, the band tore into March of the Pigs. The crowd
exploded.
The band made extensive use of three screens, which could be raised and
lowered, throughout the night. During The Warning and Vessel, the
screen to the front of the stage obscured most of the stage as the
instruments used for the almost-acoustic Ghosts set were set up. Justin
Meldal-Johnsen played a bass violin during the Ghosts set, which
included a new rendition of Piggy.
After that part of the evening's set, the front screen was used again to
hide the stage as the instruments were removed during the next song,
which featured an animation set to the music and live video of Trent
Reznor being processed on-the-fly to distort his image. I think the only
way to describe the processed video is to say it looked like white noise
in the shape of a person's face.
At the end of that song the screen turned completely blue. As Pinion
played, the screen's lights were turned off in a rather unique way until
the screen did little to obscure the band. The screen was raised quickly
as the band tore into Wish, followed quickly by the classic Terrible Lie.
The entire 31 song set, including the five song obligatory encore was
about 2 hours and 15 minutes. It was an amazing show. The set
highlighted the musical ability and range of the performers and featured
songs from all of NIN's major releases. The visual element of the show
was well thought out and very well executed, adding to the music rather
than distracting from it.
I took a few pictures using the low-res camera built into my phone.
There is one of the stage, the foremost screen, and Trent
during Hurt.
There's nothing terribly wrong with feeling lost, so long as that
feeling precedes some plan on your part to actually do something about
it. Too often a person grows complacent with their disillusionment,
perpetually wearing their "discomfort" like a favorite shirt. I can't
say that I'm very pleased with where my life is just now... But I can't
help but look forward to where it's going.
-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
The DNC Hates Unix Users Pt 2
Looking through this script,
it appears that DNC is relying on Microsoft's Silverlight plugin.
Currently, this browser plugin is supported for a limited selection of
browsers on a limited selection of operating systems. A relatively
complete list of supported platforms can be found here.
Knowing full well how limited the support for this technology, the DNC
still decided this was the best solution.
I hope the RNC will use technologies that are more cross-platform than
this. Currently the video available at their site is based on Flash.
While Flash support is a bit shaky outside of Windows and Mac OS, it is
supported in Unix.
We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following:
Compatible operating systems:
Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5).
Compatible browsers:
Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.
My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US;
rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"
So not only does the Vice Presidential nominee want to expand the powers
of the DMCA, the entire party wants to prevent Unix users from obtaining
information.
FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my
workstation, dib. I haven't had time yet to configure everything to my
liking yet, but almost everything works.
The one really annoying issue centers around a SATA DVD burner. When
this device is attached to the primary SATA controller (ICH7), the
system refuses to boot from the hard drive. It reports that no system
disk has been found. I've tried all of the SATA settings options in the
BIOS and none work.
If I connect the SATA burner to the secondary Marvell "RAID" controller
the system boots from the hard drive without issue. In Windows, this
requires another driver (which for some reason installed a copy of
apache along with it). Under FreeBSD 7; however, this second controller
seems to be currently unsupported, leaving me with only the IDE burner
available.
I may spend the $20 and get another IDE burner and just forget about the
SATA issue, but I really would like to know what the problem is. If any
one has any idea why the system would fail to boot from a SATA hard
drive when a SATA optical drive is attached, please email me and give me
some insight into this issue.
Maybe the Unix category wasn't the best for this. I spent more time
discussing the hardware/BIOS weirdness than the installation or
configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title
for this either. I'm going to change that.
A little less evil
Another posting on Slashdot
reports that YouTube (owned by Google) contacted the IOC concerning the
take down notice recently filed. After being contacted, the IOC backed
down. YouTube (owned by Google) restored the video.
Don't be evil?
There's a story over on slashdot
about the International Olympic Committee demanding YouTube (owned by
Google) remove a video of a Free Tibet protest. Of course YouTube (owned
by Google) removed the video immediately.
The video of the protest was filmed in New York, because the protest was
in New York near the Chinese Consulate. Last time I checked, which
granted was a while ago, New York was in the United States. Also the
last time I checked, we had the right to free speech in this country.
Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC
and Google denying the protesters their freedom of speech.
Cuban Pete's
Last night I went to dinner with some friends. After debating for a
while, we finally decided on Cuban Pete's on Bloomfield Ave. in
Montclair.
We arrived and the restaurant was a little crowded, but the three of us
were seated in the outdoor dining area rather quickly. The weather at
the time was nice, with clear skies and a comfortable temperature in the
mid- to upper-seventies; beautiful Autumn weather.
We looked over the menus and made our decisions and then waited. And
waited. And waited a little more. Eventually our waiter, Miguel, came
over to the table and took our order. My one friend attempted to order
the breaded steak. Miguel quickly said, "You don't want that. It's not
very good." My friend took his advise and ordered something else
instead. After Miguel took our order he quickly came back with our
drinks.
We then waited. And waited. And waited some more. After about 25
minutes, the tapas we had ordered as appetizers finally came out. We
split orders of chicken empanadas, beef empanadas, fish fritatas, and
goat cheese fritters. All of these were quite tasty in my opinion and
only to make us hungrier. At this point we had arrived at the restaurant
a little over an hour prior.
As we waited for our entrees, the sun set and the air became rather cold
for August. Eventually our food arrived. We were all very hungry at this
point and starting to run short on time as well.
The food was all quite good. One
friend had a Cuban burger made from beef and pork served with potato
sticks. He said he liked the burger a lot, but the roll left a lot to be
desired. My other friend and I both ordered the marinated skirt steak.
The steaks were served with rice, black beans, and fried plantains. All
of the side dishes were good. I was less than thrilled with the
plantains, but then again, I've never really liked plantains. My friend
liked her plantains even less than I did. The steak
was quite good and the best I've had in a very long time; however, it
was the first steak I've had in several months.
As we were finishing our meals, it began to rain. Apparently some clouds
rolled in as the sun was setting. We quickly finished the last few bites
and we ran inside. We got our bill from Miguel, paid, and headed back to
the car while the rain was still just a drizzle.
Overall, I enjoyed the evening. The food was good. Miguel was friendly.
The service was a little slow. We were there for a good two hours, an
hour and a half of that waiting for our meals. On yelp.com there's more details of other
people's experiences at Cuban Pete's; a lot of them more opinionated
than mine. Some people loved it, others hated it. I thought it was okay.
I'd like to go there again, when I have three or four hours to sit and
wait for food. I've heard good things about the paella there and I'd
like to try it.
Revision Control
One could argue that this should be filed under the Unix category, but
this post is more about the album than it is about the Concurrent
Versions System.
Friday night I created a CVS repository on this server to manage album
related files. After discussing it with rskutins, we agreed on several
key points.
First, with changes being made a little more frequently than before, it
would be best to have some way to track what was going on, and to be
able to roll back to a previous version if the changes don't quite work
out. Second, we wanted to have a way to organize several files for each
song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and
maybe the most important reason for the reorganization, we wanted to
move away from the numbering scheme that was in place. Each song was
numbered from 0 to 17. This was fine until we realized 11 was likely to
be the first track on the album.
Now the album is stored in a CVS repository. This will keep a version
history of each file, allow us to simultaneously work on parts of the
album, and merge our changes.
Within this repository we now have a tree structure where each song has
its own directory. The directory will hold any and all files related to
that song. In an effort to move away from the numbering scheme, an
arbitrary naming convention was mutually agreed upon. The songs are now
known by names such as Soundwave, Ravage, Frenzy, and Rumble.
The album is starting to come together. I feel motivated to work on it
and recently I've found myself inspired to write. Now if only I had
time.
Omlette listened to the Accidental Mix I posted (of the song now known
as Soundwave) and gave me some feedback.
It sounded ominous. I don't know how else to describe it since I'm not
familiar w/ either artist. Oh wait. Were you mixing your own stuff?
Ominous seems like it could be a good thing given the current direction
of the album.
If anyone else takes the time to listen to it, I'd appreciate any
comments or suggestions. If you don't have it, my contact information is
on this page.
A few days ago I had some time so I sat down with the ProTools set up
again. After considering some advice from jlight, I decided to record a
second track of the bass line. I decided to use my Yamaha for the second
track, as I had used my Fender for the original recording back in June.
The two instruments have different characteristics in their sounds and
the two playing together seems to add a "fullness" to the sound.
So all I had to do was record 24 seconds of bass and put together a mix.
This should take, what, 15 minutes? It took 45 just to record. Once
again ProTools repeatedly crashed. When it wasn't crashing, it would
report an error and stop recording. Does anyone know if there are
updates for ProTools LE 7.1 that will fix this issue? As it stands now,
I can't run ProTools for more than a few seconds without disabling
multi-core support on my CPU. I have multiple processors. It is a
multi-threaded application. It should run better... But I'll save this
for that upcoming ProTools rant I keep promising.
Anyway, after about an hour and fifteen minutes, I got two mixes
complete. One of them was accidental and sounds, "interesting." The
other is closer to what I had in mind. While I wait for feedback on the
actual mix from certain people, everyone is free to enjoy the accidental
mix found here.
If anyone actually listens to it, I'd be happy to accept any comments
and criticism.
CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute
of Technology. Any one familiar with his teaching style is well aware
of how "animated" he can be in class. In this particular course, one
student made some recordings of the lectures.
Copies circulated around campus, but over time these recordings became
harder to find. In an effort to preserve a piece of history, I present
to you The Bloom
MP3s.