QOTD:
"I figured I'm getting too old to run, I might as well get married."

--
Acquaintance on missing a race to meet with caterers for his upcoming wedding.

[/running] [permanent link]

[/musings] [permanent link]

[mini-rant]
I hate bash. I hate it. I hate how it bastardized bourne by adding half-assed implementations of features from ksh and tcsh.

[/unix] [permanent link]

A Strange Encounter
Yesterday morning at work I was walking back to my cubical from the cafeteria with a bottle of water in my hand and a woman from another department stopped me in the corridor.

She said (roughly), "I've seen you over the last few months and you've lost a lot of weight and I just wanted to tell you you look great."

To which I replied (roughly), "Thank you," and I smiled.

[/musings] [permanent link]

It's snowing!
Okay, it's not snowing right now, but it was earlier. I took some vacation time and cut out of work early today. I spent an hour and a half driving 11 miles home. By time I got home the snow was already 3 to 4 inches deep and still coming down.

So what did I do? I put on my normal cold weather running gear, put on sweat pants and a sweat shirt over that, and took off running.

After the first mile, I was a lot warmer than I thought I'd be. There was a big difference between running today at 28F and running last week at 20F. I took off the sweat shirt and continued running. Along the way I got a lot of strange looks from people shoveling their driveways, but I suppose that is to be expected.

I ran about 6K and while it wasn't my best run, it was good fun.

[/running] [permanent link]

19 days 23 hours...
Just under 20 days remain until the start of the Philadelphia Marathon. Last week I ran 60 miles and felt pretty good; my hamstring and iliotibial band are healing nicely.

I've gotten some advice from some people who have run Philly before and I'm thankful for that. Among other things, they stressed the importance of tapering. It's going to be difficult to run less when I feel so good.

[/running] [permanent link]

Excellent music. Go check out Android Lust now.

[/musings] [permanent link]

Running...
On Saturday I ran in the Beavertown 5K Fall Classic. The run took place in near my home, so I ran the two miles to the registration location. About a half hour after I signed in, the 5K started. Once I finished, I ran the I ran the (roughly) two and a half miles back home.

I did much better than in my previous 5K runs this year. I took almost 12 and half minutes off my time from the Lincoln Tunnel 5K, and over 4 minutes from my previous best.

I think a lot of the improvement in the shorter distances can be attributed to the fact that I've been training on longer distances lately. In the past two months I've been running about eight to ten miles each day.

A few weeks ago I ran my first half marathon distance. About 10 days ago I ran 20 miles, and took 15 minutes off my time in the half marathon. I promptly fell apart after that and my pace slowed dramatically.

Yesterday I attempted another 20 miles and did not fall apart completely after the first 13. I made it to the 15 mile mark before I had any problems. I managed to finish the run and take a half hour off my previous time.

[/running] [permanent link]

Writing

"You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash

Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

[/album] [permanent link]

NIN
On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

After that we then decided to walk around for a while since we had quite a while until the openers started.

I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

Setlist:

• 999,999
• 1,000,000
• Letting You
• Discipline
• March of the Pigs
• Head Down
• The Frail
• Reptile
• Closer
• Gave Up
• The Warning
• Vessel
• 5 Ghosts I
• 17 Ghosts II
• 19 Ghosts III
• Ghosts Piggy
• The Greater Good
• Pinion
• Wish
• Terrible Lie
• Survivalism
• The Big Come Down
• 31 Ghosts IV
• Only
• The Hand That Feeds
• Head Like a Hole
- Encore -
• Echoplex
• God Given
• The Good Soldier
• Hurt
• In This Twilight

[/musings] [permanent link]

JTHM

There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

[/musings] [permanent link]

The DNC Hates Unix Users Pt 2
Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

[/politics] [permanent link]

The DNC Hates Unix Users
Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.

My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

[/politics] [permanent link]

FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

[/unix] [permanent link]

A little less evil
Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

[/musings] [permanent link]

Don't be evil?
There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

[/musings] [permanent link]

Cuban Pete's
Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

[/musings] [permanent link]

Revision Control
One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?

Ominous seems like it could be a good thing given the current direction of the album.

If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

[/album] [permanent link]

Another Demo Update
Two weeks! Ha! It's been closer to two months.

A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

If anyone actually listens to it, I'd be happy to accept any comments and criticism.

[/album] [permanent link]

CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

[/musings] [permanent link]

Writing

"You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash

Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

[/album] [permanent link]

NIN
On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

After that we then decided to walk around for a while since we had quite a while until the openers started.

I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

Setlist:

• 999,999
• 1,000,000
• Letting You
• Discipline
• March of the Pigs
• Head Down
• The Frail
• Reptile
• Closer
• Gave Up
• The Warning
• Vessel
• 5 Ghosts I
• 17 Ghosts II
• 19 Ghosts III
• Ghosts Piggy
• The Greater Good
• Pinion
• Wish
• Terrible Lie
• Survivalism
• The Big Come Down
• 31 Ghosts IV
• Only
• The Hand That Feeds
• Head Like a Hole
- Encore -
• Echoplex
• God Given
• The Good Soldier
• Hurt
• In This Twilight

[/musings] [permanent link]

JTHM

There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

[/musings] [permanent link]

The DNC Hates Unix Users Pt 2
Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

[/politics] [permanent link]

The DNC Hates Unix Users
Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.

My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

[/politics] [permanent link]

FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

[/unix] [permanent link]

A little less evil
Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

[/musings] [permanent link]

Don't be evil?
There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

[/musings] [permanent link]

Cuban Pete's
Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

[/musings] [permanent link]

Revision Control
One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?

Ominous seems like it could be a good thing given the current direction of the album.

If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

[/album] [permanent link]

Another Demo Update
Two weeks! Ha! It's been closer to two months.

A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

If anyone actually listens to it, I'd be happy to accept any comments and criticism.

[/album] [permanent link]

CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

[/musings] [permanent link]

Writing

"You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash

Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

[/album] [permanent link]

NIN
On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

After that we then decided to walk around for a while since we had quite a while until the openers started.

I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

Setlist:

• 999,999
• 1,000,000
• Letting You
• Discipline
• March of the Pigs
• Head Down
• The Frail
• Reptile
• Closer
• Gave Up
• The Warning
• Vessel
• 5 Ghosts I
• 17 Ghosts II
• 19 Ghosts III
• Ghosts Piggy
• The Greater Good
• Pinion
• Wish
• Terrible Lie
• Survivalism
• The Big Come Down
• 31 Ghosts IV
• Only
• The Hand That Feeds
• Head Like a Hole
- Encore -
• Echoplex
• God Given
• The Good Soldier
• Hurt
• In This Twilight

[/musings] [permanent link]

JTHM

There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

[/musings] [permanent link]

The DNC Hates Unix Users Pt 2
Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

[/politics] [permanent link]

The DNC Hates Unix Users
Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.

My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

[/politics] [permanent link]

FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

[/unix] [permanent link]

A little less evil
Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

[/musings] [permanent link]

Don't be evil?
There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

[/musings] [permanent link]

Cuban Pete's
Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

[/musings] [permanent link]

Revision Control
One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?

Ominous seems like it could be a good thing given the current direction of the album.

If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

[/album] [permanent link]

Another Demo Update
Two weeks! Ha! It's been closer to two months.

A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

If anyone actually listens to it, I'd be happy to accept any comments and criticism.

[/album] [permanent link]

CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

[/musings] [permanent link]

Writing

"You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash

Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

[/album] [permanent link]

NIN
On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

After that we then decided to walk around for a while since we had quite a while until the openers started.

I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

Setlist:

• 999,999
• 1,000,000
• Letting You
• Discipline
• March of the Pigs
• Head Down
• The Frail
• Reptile
• Closer
• Gave Up
• The Warning
• Vessel
• 5 Ghosts I
• 17 Ghosts II
• 19 Ghosts III
• Ghosts Piggy
• The Greater Good
• Pinion
• Wish
• Terrible Lie
• Survivalism
• The Big Come Down
• 31 Ghosts IV
• Only
• The Hand That Feeds
• Head Like a Hole
- Encore -
• Echoplex
• God Given
• The Good Soldier
• Hurt
• In This Twilight

[/musings] [permanent link]

JTHM

There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

[/musings] [permanent link]

The DNC Hates Unix Users Pt 2
Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

[/politics] [permanent link]

The DNC Hates Unix Users
Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.

My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

[/politics] [permanent link]

FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

[/unix] [permanent link]

A little less evil
Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

[/musings] [permanent link]

Don't be evil?
There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

[/musings] [permanent link]

Cuban Pete's
Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

[/musings] [permanent link]

Revision Control
One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?

Ominous seems like it could be a good thing given the current direction of the album.

If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

[/album] [permanent link]

Another Demo Update
Two weeks! Ha! It's been closer to two months.

A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

If anyone actually listens to it, I'd be happy to accept any comments and criticism.

[/album] [permanent link]

CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

[/musings] [permanent link]

Writing

"You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash

Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

[/album] [permanent link]

NIN
On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

After that we then decided to walk around for a while since we had quite a while until the openers started.

I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

Setlist:

• 999,999
• 1,000,000
• Letting You
• Discipline
• March of the Pigs
• Head Down
• The Frail
• Reptile
• Closer
• Gave Up
• The Warning
• Vessel
• 5 Ghosts I
• 17 Ghosts II
• 19 Ghosts III
• Ghosts Piggy
• The Greater Good
• Pinion
• Wish
• Terrible Lie
• Survivalism
• The Big Come Down
• 31 Ghosts IV
• Only
• The Hand That Feeds
• Head Like a Hole
- Encore -
• Echoplex
• God Given
• The Good Soldier
• Hurt
• In This Twilight

[/musings] [permanent link]

JTHM

There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

[/musings] [permanent link]

The DNC Hates Unix Users Pt 2
Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

[/politics] [permanent link]

The DNC Hates Unix Users
Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.

My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

[/politics] [permanent link]

FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

[/unix] [permanent link]

A little less evil
Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

[/musings] [permanent link]

Don't be evil?
There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

[/musings] [permanent link]

Cuban Pete's
Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

[/musings] [permanent link]

Revision Control
One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?

Ominous seems like it could be a good thing given the current direction of the album.

If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

[/album] [permanent link]

Another Demo Update
Two weeks! Ha! It's been closer to two months.

A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

If anyone actually listens to it, I'd be happy to accept any comments and criticism.

[/album] [permanent link]

CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

[/musings] [permanent link]

Writing

"You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash

Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

[/album] [permanent link]

NIN
On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

After that we then decided to walk around for a while since we had quite a while until the openers started.

I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

Setlist:

• 999,999
• 1,000,000
• Letting You
• Discipline
• March of the Pigs
• Head Down
• The Frail
• Reptile
• Closer
• Gave Up
• The Warning
• Vessel
• 5 Ghosts I
• 17 Ghosts II
• 19 Ghosts III
• Ghosts Piggy
• The Greater Good
• Pinion
• Wish
• Terrible Lie
• Survivalism
• The Big Come Down
• 31 Ghosts IV
• Only
• The Hand That Feeds
• Head Like a Hole
- Encore -
• Echoplex
• God Given
• The Good Soldier
• Hurt
• In This Twilight

[/musings] [permanent link]

JTHM

There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

[/musings] [permanent link]

The DNC Hates Unix Users Pt 2
Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

[/politics] [permanent link]

The DNC Hates Unix Users
Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.

My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

[/politics] [permanent link]

FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

[/unix] [permanent link]

A little less evil
Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

[/musings] [permanent link]

Don't be evil?
There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

[/musings] [permanent link]

Cuban Pete's
Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

[/musings] [permanent link]

Revision Control
One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?

Ominous seems like it could be a good thing given the current direction of the album.

If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

[/album] [permanent link]

Another Demo Update
Two weeks! Ha! It's been closer to two months.

A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

If anyone actually listens to it, I'd be happy to accept any comments and criticism.

[/album] [permanent link]

CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

[/musings] [permanent link]

Writing

"You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash

Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

[/album] [permanent link]

NIN
On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

After that we then decided to walk around for a while since we had quite a while until the openers started.

I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

Setlist:

• 999,999
• 1,000,000
• Letting You
• Discipline
• March of the Pigs
• Head Down
• The Frail
• Reptile
• Closer
• Gave Up
• The Warning
• Vessel
• 5 Ghosts I
• 17 Ghosts II
• 19 Ghosts III
• Ghosts Piggy
• The Greater Good
• Pinion
• Wish
• Terrible Lie
• Survivalism
• The Big Come Down
• 31 Ghosts IV
• Only
• The Hand That Feeds
• Head Like a Hole
- Encore -
• Echoplex
• God Given
• The Good Soldier
• Hurt
• In This Twilight

[/musings] [permanent link]

JTHM

There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

[/musings] [permanent link]

The DNC Hates Unix Users Pt 2
Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

[/politics] [permanent link]

The DNC Hates Unix Users
Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.

My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

[/politics] [permanent link]

FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

[/unix] [permanent link]

A little less evil
Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

[/musings] [permanent link]

Don't be evil?
There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

[/musings] [permanent link]

Cuban Pete's
Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

[/musings] [permanent link]

Revision Control
One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?

Ominous seems like it could be a good thing given the current direction of the album.

If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

[/album] [permanent link]

Another Demo Update
Two weeks! Ha! It's been closer to two months.

A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

If anyone actually listens to it, I'd be happy to accept any comments and criticism.

[/album] [permanent link]

CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

[/musings] [permanent link]

Writing

"You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash

Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

[/album] [permanent link]

NIN
On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

After that we then decided to walk around for a while since we had quite a while until the openers started.

I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

Setlist:

• 999,999
• 1,000,000
• Letting You
• Discipline
• March of the Pigs
• Head Down
• The Frail
• Reptile
• Closer
• Gave Up
• The Warning
• Vessel
• 5 Ghosts I
• 17 Ghosts II
• 19 Ghosts III
• Ghosts Piggy
• The Greater Good
• Pinion
• Wish
• Terrible Lie
• Survivalism
• The Big Come Down
• 31 Ghosts IV
• Only
• The Hand That Feeds
• Head Like a Hole
- Encore -
• Echoplex
• God Given
• The Good Soldier
• Hurt
• In This Twilight

[/musings] [permanent link]

JTHM

There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

[/musings] [permanent link]

The DNC Hates Unix Users Pt 2
Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

[/politics] [permanent link]

The DNC Hates Unix Users
Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.

My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

[/politics] [permanent link]

FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

[/unix] [permanent link]

A little less evil
Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

[/musings] [permanent link]

Don't be evil?
There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

[/musings] [permanent link]

Cuban Pete's
Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

[/musings] [permanent link]

Revision Control
One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?

Ominous seems like it could be a good thing given the current direction of the album.

If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

[/album] [permanent link]

Another Demo Update
Two weeks! Ha! It's been closer to two months.

A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

If anyone actually listens to it, I'd be happy to accept any comments and criticism.

[/album] [permanent link]

CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

[/musings] [permanent link]

Writing

"You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash

Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

[/album] [permanent link]

NIN
On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

After that we then decided to walk around for a while since we had quite a while until the openers started.

I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

Setlist:

• 999,999
• 1,000,000
• Letting You
• Discipline
• March of the Pigs
• Head Down
• The Frail
• Reptile
• Closer
• Gave Up
• The Warning
• Vessel
• 5 Ghosts I
• 17 Ghosts II
• 19 Ghosts III
• Ghosts Piggy
• The Greater Good
• Pinion
• Wish
• Terrible Lie
• Survivalism
• The Big Come Down
• 31 Ghosts IV
• Only
• The Hand That Feeds
• Head Like a Hole
- Encore -
• Echoplex
• God Given
• The Good Soldier
• Hurt
• In This Twilight

[/musings] [permanent link]

JTHM

There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

[/musings] [permanent link]

The DNC Hates Unix Users Pt 2
Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

[/politics] [permanent link]

The DNC Hates Unix Users
Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.

My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

[/politics] [permanent link]

FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

[/unix] [permanent link]

A little less evil
Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

[/musings] [permanent link]

Don't be evil?
There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

[/musings] [permanent link]

Cuban Pete's
Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

[/musings] [permanent link]

Revision Control
One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?

Ominous seems like it could be a good thing given the current direction of the album.

If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

[/album] [permanent link]

Another Demo Update
Two weeks! Ha! It's been closer to two months.

A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

If anyone actually listens to it, I'd be happy to accept any comments and criticism.

[/album] [permanent link]

CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

[/musings] [permanent link]

Beavertown Fall Classic 5K
Saturday morning was the third(?) annual Beavertown 5K. I had been training with a group of people for the two months leading up to the race. We registered as a team for the event, the Beavertown Runners.

I set out with the goal of finally breaking 20 minutes. With Philly so close I decided the PR wasn't worth risking an injury and I'd slow down if something felt off.

I didn't slow down. I finished in 6th place overall with a new PR of 19:51. The team rankings were determined by each team's top 3 finishers and, in our category, the Beavertown Runners took first.

[/running] [permanent link]

Writing

"You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash

Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

[/album] [permanent link]

NIN
On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

After that we then decided to walk around for a while since we had quite a while until the openers started.

I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

Setlist:

• 999,999
• 1,000,000
• Letting You
• Discipline
• March of the Pigs
• Head Down
• The Frail
• Reptile
• Closer
• Gave Up
• The Warning
• Vessel
• 5 Ghosts I
• 17 Ghosts II
• 19 Ghosts III
• Ghosts Piggy
• The Greater Good
• Pinion
• Wish
• Terrible Lie
• Survivalism
• The Big Come Down
• 31 Ghosts IV
• Only
• The Hand That Feeds
• Head Like a Hole
- Encore -
• Echoplex
• God Given
• The Good Soldier
• Hurt
• In This Twilight

[/musings] [permanent link]

JTHM

There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

[/musings] [permanent link]

The DNC Hates Unix Users Pt 2
Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

[/politics] [permanent link]

The DNC Hates Unix Users
Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.

My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

[/politics] [permanent link]

FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

[/unix] [permanent link]

A little less evil
Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

[/musings] [permanent link]

Don't be evil?
There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

[/musings] [permanent link]

Cuban Pete's
Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

[/musings] [permanent link]

Revision Control
One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?

Ominous seems like it could be a good thing given the current direction of the album.

If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

[/album] [permanent link]

Another Demo Update
Two weeks! Ha! It's been closer to two months.

A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

If anyone actually listens to it, I'd be happy to accept any comments and criticism.

[/album] [permanent link]

CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

[/musings] [permanent link]

July Update
Tuesday night was the Party with Purpose 5K in Hoboken. I did much better than last year, but I'm a little disappointed. They only had it set up to record gun time rather than net time. The actual start line wasn't marked very clearly either. Officially my time was 20:20 but if it took me more than 4 seconds to cross the start line, then I got a PR. But the world will never know.

Last night was the Verizon Wireless Classic 5K corporate challenge race in Morristown. They calculated net time, but rather than reading the RFID tag as you cross the finish line, there was a guy about 10 to 15 feet past the line waving an RFID reader wand over your tag. So you cross the line... and stop running... and walk a bit... and then your finish time is recorded. Other than that, it was a decent run. I was again disappointed in the results, finishing in 20:48.

I may try the Teterboro 5K at the airport tomorrow, or I may just do a 20 mile training run. I haven't decided yet.

[/running] [permanent link]

It's like I'm 16 again
You'd think I would have learned to drive by now. I've had the DeLorean for a month now and I'm still a little shaky coming off stop lights and signs but over all I'm better. I've only driven it a handful of times and I should really be driving it more often if I want to get better.

I'm thinking of adding a separate section to the site dedicated to the DeLorean and every step in the process of acquiring it. I found a lot of useful information on the websites of other owners that helped a lot.

[/dmc] [permanent link]

I think I'll take the DeLorean today...
After taking the Pontiac to inspection this morning, I got the urge to drive the DeLorean. I need to drive it more anyway so I think it may be joining me on some errands this morning.

[/dmc] [permanent link]

Writing

"You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash

Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

[/album] [permanent link]

NIN
On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

After that we then decided to walk around for a while since we had quite a while until the openers started.

I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

Setlist:

• 999,999
• 1,000,000
• Letting You
• Discipline
• March of the Pigs
• Head Down
• The Frail
• Reptile
• Closer
• Gave Up
• The Warning
• Vessel
• 5 Ghosts I
• 17 Ghosts II
• 19 Ghosts III
• Ghosts Piggy
• The Greater Good
• Pinion
• Wish
• Terrible Lie
• Survivalism
• The Big Come Down
• 31 Ghosts IV
• Only
• The Hand That Feeds
• Head Like a Hole
- Encore -
• Echoplex
• God Given
• The Good Soldier
• Hurt
• In This Twilight

[/musings] [permanent link]

JTHM

There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

[/musings] [permanent link]

The DNC Hates Unix Users Pt 2
Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

[/politics] [permanent link]

The DNC Hates Unix Users
Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.

My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

[/politics] [permanent link]

FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

[/unix] [permanent link]

A little less evil
Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

[/musings] [permanent link]

Don't be evil?
There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

[/musings] [permanent link]

Cuban Pete's
Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

[/musings] [permanent link]

Revision Control
One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?

Ominous seems like it could be a good thing given the current direction of the album.

If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

[/album] [permanent link]

Another Demo Update
Two weeks! Ha! It's been closer to two months.

A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

If anyone actually listens to it, I'd be happy to accept any comments and criticism.

[/album] [permanent link]

CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

[/musings] [permanent link]

Writing

"You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash

Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

[/album] [permanent link]

NIN
On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

After that we then decided to walk around for a while since we had quite a while until the openers started.

I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

Setlist:

• 999,999
• 1,000,000
• Letting You
• Discipline
• March of the Pigs
• Head Down
• The Frail
• Reptile
• Closer
• Gave Up
• The Warning
• Vessel
• 5 Ghosts I
• 17 Ghosts II
• 19 Ghosts III
• Ghosts Piggy
• The Greater Good
• Pinion
• Wish
• Terrible Lie
• Survivalism
• The Big Come Down
• 31 Ghosts IV
• Only
• The Hand That Feeds
• Head Like a Hole
- Encore -
• Echoplex
• God Given
• The Good Soldier
• Hurt
• In This Twilight

[/musings] [permanent link]

JTHM

There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

[/musings] [permanent link]

The DNC Hates Unix Users Pt 2
Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

[/politics] [permanent link]

The DNC Hates Unix Users
Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.

My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

[/politics] [permanent link]

FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

[/unix] [permanent link]

A little less evil
Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

[/musings] [permanent link]

Don't be evil?
There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

[/musings] [permanent link]

Cuban Pete's
Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

[/musings] [permanent link]

Revision Control
One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?

Ominous seems like it could be a good thing given the current direction of the album.

If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

[/album] [permanent link]

Another Demo Update
Two weeks! Ha! It's been closer to two months.

A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

If anyone actually listens to it, I'd be happy to accept any comments and criticism.

[/album] [permanent link]

CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

[/musings] [permanent link]

Dommin
Dommin's new EP is out now. You can find it at your nearest Hot Topic. It's 4 songs and only $1.99. They have a full length album due out in a couple of months. In the meantime you can support them by buying EP and seeing them on tour.

I was fortunate enough to see them back in April with The Birthday Massacre, and talk with some members of the band after their set. Not only are they a great band, but they're actually pretty cool people too.

And while you're at Hot Topic purchasing the EP make a donation to the hot topic foundation. The proceeds go to fund music and art programs in schools. If you ask me, and by reading this blog you have implicitly asked me, it's a worthy cause.

[/musings] [permanent link]

Verizon Wireless Classic Update
All of the results are in and the team rankings have been calculated. We ranked 12th of 144 men's teams putting us in the top 8% for the day. The rankings were determined by the top three runners for each team. I was the second runner from my team that night.

My disappointing time of 20:48 put me in at number 108 of 3451 which means I finished in the top 3%.

Maybe it wasn't as disappointing as I initially thought.

[/running] [permanent link]

Writing

"You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash

Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

[/album] [permanent link]

NIN
On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

After that we then decided to walk around for a while since we had quite a while until the openers started.

I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

Setlist:

• 999,999
• 1,000,000
• Letting You
• Discipline
• March of the Pigs
• Head Down
• The Frail
• Reptile
• Closer
• Gave Up
• The Warning
• Vessel
• 5 Ghosts I
• 17 Ghosts II
• 19 Ghosts III
• Ghosts Piggy
• The Greater Good
• Pinion
• Wish
• Terrible Lie
• Survivalism
• The Big Come Down
• 31 Ghosts IV
• Only
• The Hand That Feeds
• Head Like a Hole
- Encore -
• Echoplex
• God Given
• The Good Soldier
• Hurt
• In This Twilight

[/musings] [permanent link]

JTHM

There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

-- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

[/musings] [permanent link]

The DNC Hates Unix Users Pt 2
Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

[/politics] [permanent link]

The DNC Hates Unix Users
Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.

My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

[/politics] [permanent link]

FreeBSD 7 SATA Weirdness
Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

[/unix] [permanent link]

A little less evil
Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

[/musings] [permanent link]

Don't be evil?
There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

[/musings] [permanent link]

Cuban Pete's
Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

[/musings] [permanent link]

Revision Control
One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?

Ominous seems like it could be a good thing given the current direction of the album.

If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

[/album] [permanent link]

Another Demo Update
Two weeks! Ha! It's been closer to two months.

A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

If anyone actually listens to it, I'd be happy to accept any comments and criticism.

[/album] [permanent link]

CS115
A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

[/musings] [permanent link]

Writing

"You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash

Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

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